Thursday, 8 November 2012

Section and Elevations

This front elevation shows the raised ground level market place in use, joined to the retail spaces by amphitheatre seating.



This cross section shows the relationship between different floor plates. The strategy of joining spaces by adding ampitheatre staircases to improve circulation and allow spaces for retail theatrical performances.

Section shows how the platforms are used as viewing points. The public can view performances by looking down the central atrium to the ampitheatres.

Wednesday, 7 November 2012

Poster


Presentation - Speech



Our first assignment had a heavy focus on technological development. Decentralising the city by solving urban problems through technological solution. Therefore the general future conception of an ever growing city that would eventually expand into Paddington would not apply to this future scenario. Cities are engines for economic growth, but my future scenario concentrates on creating engines focused more towards community growth. Paddington is historically an area synonymous with a diverse subculture and a strong identity which is celebrated and encouraged by the local individuals. Currently, Paddington is a strong focus on community residential, and I forecast that for 2030, it will remain much the same. Although it’s close proximity to the CBD, Paddington at the moment has remained somewhat of a low density residential suburb. With future population growth and the desire to live close to the CBD, I see it becoming a medium or even high density residential neighbourhood. 

The site itself is a local landmark within the suburb. The context plan show how clusters of commerce and entertainment stem around the site. Much of the commerce within Paddington is through residential homes transformed into retail storefronts. The large amount of these shops creates a driving force of local traders, with the main thoroughfare rich in history of residential storefronts and retail areas. These fundamental social and economical driving factors of the suburb make Paddington a somewhat microcosm of Brisbane city.

Paddington’s driving force of local traders within the community will likely increase in the future. With this increase will also see the future increase of online commerce. This unavoidable increase in online commerce has the potential having negative effects on social interaction. The aim of this building is to further engage with these surrounding areas of commerce, and create an urban environment that incorporates social economies and commerce, and better improve the physical excitement and engagement of commerce, whilst providing an exciting alternative to the convenience and functionality of online shopping. 

The main program of this building to apply playfulness, interactivity and retail theatrical performance to a retail precinct. I am proposing a precinct that brings these traders together, providing the opportunity to promote themselves through retail theatre, and therefore consumers, and the Paddington community, experience the three main cores of retail theatre: Expression, Exploration and Discovery.

Expression: is where consumers form communities through the brand contributing to product and community development, attend social events and perceive the brand and community as a reflection of their personal values.
Exploration: consumers interact to learn about products and find new useful information with the support of the brand
Discovery: consumers learn about brands, build confidence and form relationships with the brand.

Retail theatre relies on the use of atmospherics, where retail environments produce specific emotional reactions that mean the probability of customers making purchases is increased. The catalysts to these emotions can range from anything from layout, colour, scents, music, light, interaction.

The function of the design creates a space of much needed social collaboration, aiming to provide playfulness, interactivity and engagement. It will allow emerging and existing local traders in any field the chance to exhibit, market, and promote goods and services through retail theatre. Play involves participation, and as participation grows, ownership grows, and that bonds the participant to new ideas, innovation and learning. Play encourages brand engagement. It adds value to products and services, and this perception of added value helps satisfy customers and influence repurchases.

Circulation is a fundamental factor of the design, as it relates directly to spacial experience and the concept of retail theatre. The wide open staircases through the building and atrium are a crucial element to the design. The staircases act as amphitheatres where retail theatre such as performances and exhibitions can be held, whilst also connecting two different spaces. This therefore creates the central theme of retail theatre to flow throughout the building, yet not become totally intrusive.  

The retail sector is the main ground floor from Latrobe terrace. This is a space that includes fixed retail shops. The space and layout of the stores better allows for the opportunity to engage in playfulness, interactivity and theatrical performances. The shopfronts are designed to allows pockets of space away from circulation in which a shopper can stand and experience the store without being intrusive on circulation. The stores also have glass walls back and front allowing the opportunity to display to the street, but also allow commuters on Latrobe terrace to engage and interact without being in the store. This also creates curiosity from street level.

The building includes collaboration spaces dedicated to arts and crafts, workshops, educational classes. These are spaces where the community can come to play and interact through educational classes. These could include cooking classes, arts and crafts classes, or a number of different workshops related to the precinct. 

Permeable spaces are provided throughout the building. These spaces include a permeable retail area, as well as food court. These areas provide a space where traders can set up a temporary shop in the precinct to them to promote the products and service and receive feedback. This space mostly aimed as a temporary testing space for traders who are new to the community. The locals have the opportunity to provide feedback to the brand and thus determining whether it becomes part of the community or not. This provides a flow of different traders, which keeps the precinct fresh and interesting. 

This can also apply to the open market space, which is a key component to the interactive aspect of the design. It is an event area that provides once large space where local traders can get together on certain events and collaborate as a whole community. When the markets are not held this becomes an outdoor green space for collaborative classes.
The library provides a space where the community can learn and further educate themselves about retail. It also provides a relaxing environment for the younger demographic of Paddington to study or just unwind. The library overlooks the market space whilst framing views of Paddington and Mount Cootha.

The site has fantastic opportunities for natural light and ventilation, thus floor plates are centred around a central atrium. Viewing platforms are placed throughout the centre and around the central atrium. These platforms provide views to the stages below allowing passers by a place to stop and observe a performance without blocking circulation.  

Access into the site has been improved by allowing access and egress from Morris st. Car parking has been minimised whilst also providing more bike and bicycle spaces. 

The precinct also caters to ‘mission’ shoppers, which are shoppers who value time and desire minimal or zero physical contact. This is done by bringing the main spaces to the front of the site, whilst leaving collaborative spaces in specific areas such as the rear of the building. Single ‘non ampitheatre’ staircases are also provided to connecting the retail and food court spaces for quicker circulation, avoiding and performances.

The timber cladding facade mitigates the surrounding residential Queenslander theme of Paddington.


Tuesday, 6 November 2012

Materials

All materials will be re-cycled to lower energy consumption of producing materials from scratch. All selected materials can be sourced locally to Brisbane, as a result lowing transportation costs, fuel consumption and overall carbon footprint.

Embodied energy is minimised by making all materials used recycled, This will lower total energy consumption when compared to producing materials from scratch. All selected materials will be sourced locally to Brisbane, thus reducing transportation costs, fuel consumption and overall carbon footprint.

Circulation



This diagram represents the fundamental factor of circulation throughout the building. It demonstrates how vertical circulation connects key areas of the building. This is a fundamental factor because most of the vertical circulation are amphitheatre seating. The building also takes into consideration ‘mission shoppers’, which are shoppers who value time and desire minimal or zero physical contact. This is done by bringing the main spaces to the front of the site, whilst leaving collaborative spaces in specific areas such as the rear of the building. Single ‘non ampitheatre’ staircases are also provided to connecting the retail and food court spaces for quicker circulation, avoiding and performances.

It also demonstrates the amount of access points from Latrobe trc and Warmington st, as well as the new access point from Morris st. 


Friday, 2 November 2012

Providing Retail Space for Theatre

Retail theatre relies on the use of atmospherics, where retail environments produce specific emotional reactions that mean the probability of customers making purchases is increased. The catalysts to these emotions can range from anything from layout, colour, scents, music, light, interaction.

The aim of the retail sector of the building is to provide a space with maximum opportunity for this to happen. The retail spaces are situated towards the main street front, which allow exhibition towards the street. This is done through a glass facade on the ground and upper ground levels. This allows engagement with the street level with by exciting the public and not even having to be inside the store. The storefront are shaped in such a way to allow pockets of space away from main circulation to allow a number of people a space to gather and watch an exhibit or performace or just gaze and interact with the atmospherics of the store without intruding the flow of circulation.


Thursday, 1 November 2012

Sketches

Market and Retail Space - Connected by ampitheatre seating staircases. The market space is an open green space maximising community collaboration and engagement through social events.

Education Centre - Provides a space for the younger demographic of Paddington to relax and study

Permeable Food Court - This areas provides a space where traders can set up a temporary shop in the precinct to promote the products and service and through interactivity receive feedback and also provide educational value.

Lighting and Circulation



The site has many complications when it comes to maximising natural sunlight and ventilation. A fundamental problem with the site is that it its main street frontage makes the building face south, whilst the sloping sight makes the lower levels blocked from natural sunlight.  The central atrium solves this problem maximises the natural sunlight and allows all public occupiable levels to receive natural lighting. This makes the only level not to receive natural lighting is the lowest level, the carpark. This is so to reduce noise and occupants to receive direct car pollution. The raised market space is an open level that is open to receiving natural lighting and ventilation.


Circulation, Access and Egress

Atrium Spaces

Wednesday, 31 October 2012

Retail Theatre Example - Westfield Shopping Centre London





The Westfield shopping centre in London is a good example of a retail space that has focused on enriching customer experience, from the way it is designed to the services it offers.

It bills itself as being ‘as much a meeting hub as a place to shop and eat’. Now that it is fully operational, the complex hosts a full calendar of arts and educational events beneath a spectacular glass roof. A gym, spa and 14-screen state-of-the-art and a new library also serve the local community.

Westfield uses variations in textures and colours of materials for its walls, floors and ceilings, as well as a variety of shop frontages and eye-lines to keep customers engaged. Its airy, ambient interior and imposing entrances fill customers with anticipation and a definite ‘wow factor’.
 
A testament to the effectiveness of retail atmospherics is the footfall the Westfield has enjoyed since it opened. The shopping centre had nearly 12 million visitors in its first six months of operating, all of this despite the economic downturn, according to its management company.